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  Kodak Rust , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  light-sensitive emulsion in water

Kodak Rust, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

light-sensitive emulsion in water

  Red , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  water treated paper

Red, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

water treated paper

  Fuji Blue , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  light-sensitive emulsion in water

Fuji Blue, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

light-sensitive emulsion in water

  Cyan , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  water treated paper

Cyan, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

water treated paper

  Blue in Black , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  over-exposed paper in water

Blue in Black, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

over-exposed paper in water

Kodak Rust, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

light-sensitive emulsion in water

Red, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

water treated paper

Fuji Blue, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

light-sensitive emulsion in water

Cyan, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

water treated paper

Blue in Black, 2017

Exploits are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.

over-exposed paper in water

  Kodak Rust , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  light-sensitive emulsion in water
  Red , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  water treated paper
  Fuji Blue , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  light-sensitive emulsion in water
  Cyan , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  water treated paper
  Blue in Black , 2017   Exploits  are a growing set of ‘wet’ works that explore the other sensibilities that lay within Colour Negative Papers. Honing in on the fragility of this technology, particularly in regard to the dyes that allow the recording process to take place, water is used as the facilitator for unusual, and at times, corrosive changes. Whether lifting emulsion off of paper or influencing colour shifts within them, the receptive qualities of paper become heightened, alluding to more abstract notions of awareness and perception. Activated by the concepts and sounds within Miles Davis’s seminal work Kind of Blue, the changes and processes of disintegration in Exploits do not necessarily unfold in a controlled fashion, but rather, unexpectedly and autonomously.  over-exposed paper in water