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  Rear of k , 2017   Transfers  are series of byproducts that form during the drying processes for  Colours from Black . In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other  Transfers  that privately exist behind resolved, or already completed prints.   Kodak Endura Paper  128 x 96 cm

Rear of k, 2017

Transfers are series of byproducts that form during the drying processes for Colours from Black. In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other Transfers that privately exist behind resolved, or already completed prints. 

Kodak Endura Paper

128 x 96 cm

  zelmanovic , 2017   Transfers  are series of byproducts that form during the drying processes for  Colours from Black . In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other  Transfers  that privately exist behind resolved, or already completed prints.   Fuji Crystal Archive Paper  140 x 130 cm

zelmanovic, 2017

Transfers are series of byproducts that form during the drying processes for Colours from Black. In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other Transfers that privately exist behind resolved, or already completed prints. 

Fuji Crystal Archive Paper

140 x 130 cm

  Rear of KLY97 , 2017   Transfers  are series of byproducts that form during the drying processes for  Colours from Black . In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other  Transfers  that privately exist behind resolved, or already completed prints.   Kodak Endura Paper  36 x 28 cm

Rear of KLY97, 2017

Transfers are series of byproducts that form during the drying processes for Colours from Black. In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other Transfers that privately exist behind resolved, or already completed prints. 

Kodak Endura Paper

36 x 28 cm

Rear of k, 2017

Transfers are series of byproducts that form during the drying processes for Colours from Black. In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other Transfers that privately exist behind resolved, or already completed prints. 

Kodak Endura Paper

128 x 96 cm

zelmanovic, 2017

Transfers are series of byproducts that form during the drying processes for Colours from Black. In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other Transfers that privately exist behind resolved, or already completed prints. 

Fuji Crystal Archive Paper

140 x 130 cm

Rear of KLY97, 2017

Transfers are series of byproducts that form during the drying processes for Colours from Black. In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other Transfers that privately exist behind resolved, or already completed prints. 

Kodak Endura Paper

36 x 28 cm

  Rear of k , 2017   Transfers  are series of byproducts that form during the drying processes for  Colours from Black . In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other  Transfers  that privately exist behind resolved, or already completed prints.   Kodak Endura Paper  128 x 96 cm
  zelmanovic , 2017   Transfers  are series of byproducts that form during the drying processes for  Colours from Black . In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other  Transfers  that privately exist behind resolved, or already completed prints.   Fuji Crystal Archive Paper  140 x 130 cm
  Rear of KLY97 , 2017   Transfers  are series of byproducts that form during the drying processes for  Colours from Black . In the production of these works, the different dyes and surfaces of papers become increasingly unstable, and as a result, need to be dried on a flat surface with the emulsion side facing up. Made in a shared photo-lab, excess sheets of paper are used to cover the floors from chemical spillage. As prints are removed from their wet storage and unrolled on the floor, a hidden transfer process takes place on the backside of the paper and the floor cover beneath. These one-of-a-kind imprints are often too precious to throwaway, and serve to provide the offcuts of other artists with a second life. In the presentation of this work, images by other artists are subsequently concealed against the wall, only referenced in titles. Likewise, the opposite becomes true for other  Transfers  that privately exist behind resolved, or already completed prints.   Kodak Endura Paper  36 x 28 cm